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Item Details
Title: STILL STANDING: ANTONY GORMLEY AT THE HERMITAGE
By: Margaret Iversen, Dimitri Ozerkov
Format: Paperback

List price: £24.95
Our price: £18.21
Discount:
27% off
You save: £6.74
ISBN 10: 1906257094
ISBN 13: 9781906257095
Availability: Usually dispatched within 1-3 weeks.
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Stock: Currently 0 available
Publisher: FONTANKA
Pub. date: 14 November, 2011
Pages: 144
Description: Includes 10 classical sculptures from the Hermitage Museum (mostly Roman and one or two Greek), removed from their plinths and repositioned to share a raised floor with the viewer; and 17 abstracted body-forms by Antony Gormley.
Synopsis: This book is made up of 10 classical sculptures from the Hermitage Museum (mostly Roman and one or two Greek), removed from their plinths and repositioned to share a raised floor with the viewer; and 17 highly abstracted body-forms by Antony Gormley. The idea is to juxtapose ancient, idealized statues with Gormley's more disinterested sculptures and see whether, in Gormley's work, the abstract language of Euclidean geometry can make a shelter for feeling, and whether, in the case of the classical works, demounting and putting the viewer on the same level as their original makers can re-establish them as made things. The interaction of the public, captured in documentary photographs, is key to a project that aims to show how classical marbles, Gormley's own sculptures and the living human visitors inhabit the same space and can converse with each other. All Gormley's body works are the residue of an action or event of a real body that is absent translated into an abstract architectural language (which in the Hermitage is in acute contrast to the ornate interiors).His work takes the body as a found object, something already made, as a reflexive object that engages the viewer less as a representation than an acknowledgement of its opposite: the lost subject.
Illustrations: 65 illustrations, 50 in colour
Publication: UK
Imprint: Fontanka
Returns: Returnable
Some other items by this author:
ALOIS RIEGEL (PB)
ANNA BARRIBALL (HB)
ANTONY GORMLEY ROOM (HB)
ANTONY GORMLEY: ROOM (HB)
ART AND THOUGHT
ART AND THOUGHT
ART AND THOUGHT
ART AND THOUGHT (HB)
ART AND THOUGHT (PB)
BEYOND PLEASURE (PB)
CANNIBALISM AND THE COLONIAL WORLD (HB)
CANNIBALISM AND THE COLONIAL WORLD (PB)
CHANCE (PB)
CHANCE (PB)
COLONIAL DISCOURSE / POSTCOLONIAL THEORY (PB)
CORNELIA PARKER (HB)
HOSPITAL, PAINTINGS BY ROBERT PRISEMAN (PB)
LITERATURE POLITICS & THEORY
LITERATURE POLITICS & THEORY
LITERATURE POLITICS & THEORY
LITERATURE POLITICS AND THEORY (HB)
MARC QUINN: CHRONOS & COSMOS
MARKUS LUPERTZ (HB)
MARY KELLY (PB)
MAX ERNST: THE PARIS YEARS
PHOTOGRAPHY AFTER CONCEPTUAL ART
PHOTOGRAPHY AFTER CONCEPTUAL ART
PHOTOGRAPHY AFTER CONCEPTUAL ART
PHOTOGRAPHY AFTER CONCEPTUAL ART
PHOTOGRAPHY AFTER CONCEPTUAL ART (PB)
PHOTOGRAPHY, TRACE, AND TRAUMA (HB)
PHOTOGRAPHY, TRACE, AND TRAUMA (PB)
SARAH BEDDINGTON (PB)
SONTAG MONTAG (PB)
WRITING ART HISTORY (HB)
WRITING ART HISTORY (PB)

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