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Item Details
Title: SCREENWRITING FOR A GLOBAL MARKET
SELLING YOUR SCRIPTS FROM HOLLYWOOD TO HONG KONG
By: Andrew Horton, Bernard Gordon (Foreword)
Format: Paperback

List price: £30.00
Our price: £24.00
Discount:
20% off
You save: £6.00
ISBN 10: 0520240219
ISBN 13: 9780520240216
Availability: Usually dispatched within 1-3 weeks.
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Stock: Currently 0 available
Publisher: UNIVERSITY OF CALIFORNIA PRESS
Pub. date: 19 March, 2004
Pages: 227
Description: Cinema is a global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book provides the practical know-how for breaking into the global marketplace. It contains advice on writing for screens large and small, around the world from Hollywood to New Zealand, and from Europe to Russia.
Synopsis: Cinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global marketplace. It is the first book to offer specific advice on writing for screens large and small, around the world from Hollywood to New Zealand, from Europe to Russia, and for alternative American markets including Native American, regional, and experimental. The book provides valuable insider information, such as: Twenty-five per cent of German television is written by Hollywood writers. Screenwriters just need to know how to reach that market; Many countries, including those in the European Union, have script development money available - to both foreign and local talent - from government-sponsored film funds; and, the web's influence on the film industry has been profound, and here you can find out how to network through the web. The book also lists the key web addresses for writers.Andrew Horton, author of two acclaimed books on screenwriting, includes personal essays by accomplished screenwriters from around the world and offers insightful case studies of several films and television scripts, among them: "My Big Fat Greek Wedding"; "Crouching Tiger, Hidden Dragon"; and, "The Sopranos". Full of endless enthusiasm for great films and great scripts, this book will be an essential resource for both aspiring writers and accomplished writers hoping to expand their horizons, improve their skills, and increase their chances for success. It includes an interview with Terry Gilliam and contributions from: Bernard Gordon, writer for "The Day of the Triffids" and "The Thin Red Line"; Lew Hunter, Chair of Screenwriting at UCLA; Karen Hall, writer/producer for "Judging Amy" and "M*A*S*H"; and other screenwriters.
Publication: US
Imprint: University of California Press
Returns: Returnable
Some other items by this author:
A COMPANION TO FILM COMEDY
A COMPANION TO FILM COMEDY
A COMPANION TO FILM COMEDY
A COMPANION TO FILM COMEDY
A COMPANION TO FILM COMEDY (HB)
A COMPANION TO FILM COMEDY (PB)
BUSTER KEATON'S SHERLOCK JR. (PB)
COMEDY/CINEMA/THEORY
COMEDY/CINEMA/THEORY (PB)
CREATIVITY, DESIGN AND TECHNOLOGY (PB)
EIN BEITRAG ZUR GESCHICHTE UND STATISTIK (PB)
ERNIE KOVACS & EARLY TV COMEDY (PB)
ERNIE KOVACS AND EARLY TV COMEDY (HB)
GEOLOGY OF THE COUNTRY AROUND CHIPPING NORTON (PB)
GEOLOGY OF THE COUNTRY AROUND THAME (PB)
GEOLOGY OF THE PETERBOROUGH DISTRICT (PB)
HENRY BUMSTEAD AND THE WORLD OF HOLLYWOOD ART DIRECTION (PB)
HOLLYWOOD EXILE, OR HOW I LEARNED TO LOVE THE BLACKLIST (PB)
INSIDE SOVIET FILM SATIRE
INSIDE SOVIET FILM SATIRE (PB)
LAUGHING OUT LOUD
LAUGHING OUT LOUD (PB)
MANUFACTURING TECHNOLOGY TEXT (HB)
RUSSIAN CRITICS ON THE CINEMA OF GLASNOST
RUSSIAN CRITICS ON THE CINEMA OF GLASNOST (HB)
RUSSIAN CRITICS ON THE CINEMA OF GLASNOST (PB)
SCREENWRITING (HB)
SCREENWRITING (PB)
SCREENWRITING FOR A GLOBAL MARKET
THE EYE OF THE SHAH (PB)
THE FILMS OF GEORGE ROY HILL (PB)
THE FILMS OF THEO ANGELOPOULOS
THE FILMS OF THEO ANGELOPOULOS (PB)
THE GEOLOGY OF THE EAST MIDLANDS (PB)
THE GORDON FILE (HB)
THE GORDON FILE (PB)
THE LAST MODERNIST (HB)
THE LAST MODERNIST (HB)
THE LAST MODERNIST (PB)
THE LAST MODERNIST (PB)
THE ZERO HOUR (PB)
THREE MORE SCREENPLAYS BY PRESTON STURGES (PB)
WRITING THE CHARACTER-CENTERED SCREENPLAY (PB)
WRITING THE CHARACTER-CENTERED SCREENPLAY, UPDATED AND EXPANDED EDITION

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