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Item Details
Title:
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GENERATIVE PROCESSES IN MUSIC
THE PSYCHOLOGY OF PERFORMANCE, IMPROVISATION, AND COMPOSITION |
By: |
John Sloboda (Editor) |
Format: |
Paperback |

List price:
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£72.00 |
We currently do not stock this item, please contact the publisher directly for
further information.
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ISBN 10: |
0198508468 |
ISBN 13: |
9780198508465 |
Publisher: |
OXFORD UNIVERSITY PRESS |
Pub. date: |
11 January, 2001 |
Pages: |
316 |
Description: |
Where most of the literature in the psychology of music has focused on the processes involved when listening to music, little has been written about the processes involved in making music. Reissued by popular demand, and for the first time in paperback, Generative Processes: The Psychology of Performance, Improvisation, and Composition brings together leading figures in music psychology to present pioneering studies of the processes by which music is generated. Thebook looks at the generation of expression in musical performance, the problems of synchrony in ensemble performance, the development of children's song, rehearsal strategies of pianists, improvisational skill in trained and untrained musicians, children's spontaneous notations for music, formalconstraints on compositional systems, and compositional strategies of music students. Edited by the leading authority on music psychology, the book will be of great interest to cognitive and developmental psychologists, as well as music educators and musicologists |
Synopsis: |
Where most of the literature in the psychology of music has focused on the processes involved when listening to music, little has been written about the processes involved in making music. Reissued by popular demand, and for the first time in paperback, Generative Processes: The Psychology of Performance, Improvisation, and Composition brings together leading figures in music psychology to present pioneering studies of the processes by which music is generated. The book looks at the generation of expression in musical performance, the problems of synchrony in ensemble performance, the development of children's song, rehearsal strategies of pianists, improvisational skill in trained and untrained musicians, children's spontaneous notations for music, formal constraints on compositional systems, and compositional strategies of music students. Edited by the leading authority on music psychology, the book will be of great interest to cognitive and developmental psychologists, as well as music educators and musicologists |
Illustrations: |
numerous tables and line figures |
Publication: |
UK |
Imprint: |
Oxford University Press |
Returns: |
Non-returnable |
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