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Item Details
| Title:
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FOR THE LOVE OF PLEASURE
WOMEN, MOVIES AND CULTURE IN TURN-OF-THE CENTURY CHICAGO |
| By: |
Lauren Rabinovitz |
| Format: |
Paperback |
| List price:
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£31.00 |
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We currently do not stock this item, please contact the publisher directly for
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| ISBN 10: |
0813525349 |
| ISBN 13: |
9780813525341 |
| Publisher: |
RUTGERS UNIVERSITY PRESS |
| Pub. date: |
1 May, 1998 |
| Pages: |
256 |
| Description: |
The technological, economic and social landscape of the consumer society was formed between the 1880s and 1920s. The author of this study shows how cinema played a key role in changing the urban landscape, using Chicago as a model and linking cinema theory with women's studies. |
| Synopsis: |
"One of the most readable books on early cinema I have ever encountered. . . . Rabinovitz ably brings together a wealth of information about the exciting era of social change that marked the beginning of U.S. cinema." --Gaylyn Studlar, atuhor of This Mad Masquerade: Stardom and Masculinity in the Jazz Age The period from the 1880s until the 1920s saw the making of a consumer society, the inception of the technological, economic, and social landscape in which we currently live. Cinema played a key role in the changing urban landscape. For working-class women, it became a refuge from the factory. For middle-class women, it presented a new language of sexual danger and pleasure. Women found greater freedom in big cities, entering the workforce in record numbers and moving about unchaperoned in public spaces. Turn-of-the-century Chicago surpassed even New York as a proving ground for pleasure and education, attracting women workers at three times the national rate. Using Chicago as a model, Lauren Rabinovitz analyzes the rich interplay among demographic, visual, historical, and theoretical materials of the period. She skillfully links cinema theory and women's studies for a fuller understanding of cultural history. She also demonstrates how cinema dramatically affected social conventions, ultimately shaping modern codes of masculinity and feminity. Lauren Rabinovitz is a professor of American studies and film studies at the University of Iowa. She is the author of Points of Resistance: Women, Power, and Politics in the New York Avant-Garde Cinema, 1943-71, coauthor of the award-winning CD-ROM The Rebecca Project, and coeditor of Seeing Through the Media: The Persian Gulf War. |
| Illustrations: |
1, black & white illustrations |
| Publication: |
US |
| Imprint: |
Rutgers University Press |
| Returns: |
Returnable |
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