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Item Details
Title: MOURNING PHILOLOGY
ART AND RELIGION AT THE MARGINS OF THE OTTOMAN EMPIRE
By: Marc Nichanian, G. M. Goshgarian (Trans), Jeff Fort (Trans)
Format: Hardback

List price: £79.00
Our price: £71.10
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ISBN 10: 0823255247
ISBN 13: 9780823255245
Availability: Usually dispatched within 1-3 weeks.
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Publisher: FORDHAM UNIVERSITY PRESS
Pub. date: 1 February, 2014
Pages: 420
Description: This book offers a monograph on the work of the Armenian poet Daniel Varuzhan (1884-1915), preceded by a general account of how Armenian national philology unfolded in the 19th century, under the influence of European orientalist philology and its two main inventions: the native and mythological religion.
Synopsis: "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art?Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora
Publication: US
Imprint: Fordham University Press
Returns: Non-returnable
Some other items by this author:
AMINADAB (HB)
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COPY, ARCHIVE, SIGNATURE (PB)
DAILY LIFE IN THE ABYSS (HB)
DAILY LIFE OF THE EGYPTIAN GODS (PB)
FOR WHAT TOMORROW . . . (HB)
FOR WHAT TOMORROW . . . (PB)
FRENCH THEORY (HB)
FRENCH THEORY (PB)
HEIDEGGER AND THE POLITICS OF POETRY (HB)
HOW TO BE A MARXIST IN PHILOSOPHY
HOW TO BE A MARXIST IN PHILOSOPHY
HOW TO BE A MARXIST IN PHILOSOPHY (HB)
HOW TO BE A MARXIST IN PHILOSOPHY (PB)
MOURNING PHILOLOGY
MOURNING PHILOLOGY
MYTH AND THOUGHT AMONG THE GREEKS (PB)
OVID (HB)
PHILOSOPHY FOR NON-PHILOSOPHERS
PHILOSOPHY FOR NON-PHILOSOPHERS
PHILOSOPHY FOR NON-PHILOSOPHERS (HB)
PHILOSOPHY FOR NON-PHILOSOPHERS (PB)
PROFANATIONS (HB)
PROFANATIONS (PB)
REMNANTS (PB)
SUFFERING AS IDENTITY (HB)
SUFFERING AS IDENTITY (PB)
THE ACT OF BEING (HB)
THE AESTHETIC RELATION (HB)
THE ARABS AND THE HOLOCAUST (HB)
THE BANALITY OF HEIDEGGER
THE BANALITY OF HEIDEGGER
THE BANALITY OF HEIDEGGER (HB)
THE BANALITY OF HEIDEGGER (PB)
THE CLAUDE GLASS (HB)
THE CLAUDE GLASS (PB)
THE DECLARED ENEMY (HB)
THE DECLARED ENEMY (PB)
THE DIVIDED CITY (HB)
THE DIVIDED CITY (PB)
THE GROUND OF THE IMAGE
THE GROUND OF THE IMAGE
THE GROUND OF THE IMAGE (HB)
THE GROUND OF THE IMAGE (PB)
THE HISTORIOGRAPHIC PERVERSION
THE HISTORIOGRAPHIC PERVERSION (HB)
THE IMPERATIVE TO WRITE
THE IMPERATIVE TO WRITE
THE IMPERATIVE TO WRITE (HB)
THE JEW AND THE OTHER (HB)
THE JEW AND THE OTHER (PB)
THE LOOP (HB)
THE PEOPLE WANT (PB)
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THREE WOMEN IN DARK TIMES (PB)
VIOLENCE AND CIVILITY
VIOLENCE AND CIVILITY (HB)
VIOLENCE AND CIVILITY (PB)

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